Jenis-Jenis Tarian
Tari-tarian yang dibawakan merupakan tarian tradisional yang dihimpun dari berbagai macam suku Dayak di Kalimantan Timur , antara lain yaitu; Tari Gantar , Kancet Tebengang Madang, Tari Hudoq, Kancet Hudoq Aban, Belian Bawo, Kancet Pepatai,Leleng, Ngelewai, Kancet Punan Letto,Tekenaq Bungan Malan, Belian Sentiyu, dan Tari Persatuan. Tarian-tarian tersebut merupakan tarian tradisional yang dikemas dalam sentuhan modern.
The dances which bring are the traditional dances which mustered/gathered from many kinds of Dayak tribes in East Kalimantan, such as;Tari Gantar , Kancet Tebengang Madang, Tari Hudoq, Kancet Hudoq Aban, Belian Bawo, Kancet Pepatai,Leleng, Ngelewai, Kancet Punan Letto,Tekenaq Bungan Malan, Belian Sentiyu, dan Tari Persatuan. All of these dances represents in modern touches.
The dances which bring are the traditional dances which mustered/gathered from many kinds of Dayak tribes in East Kalimantan, such as;Tari Gantar , Kancet Tebengang Madang, Tari Hudoq, Kancet Hudoq Aban, Belian Bawo, Kancet Pepatai,Leleng, Ngelewai, Kancet Punan Letto,Tekenaq Bungan Malan, Belian Sentiyu, dan Tari Persatuan. All of these dances represents in modern touches.
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9. Kancet Punan Letto
“Punan” artinya merebut, “letto” artinya gadis/wanita. Tarian ini menceritakan tentang dua orang pemuda yang sama-sama menyukai seorang gadis dan memperebutkannya. Pemuda yang mempertahankan gadisnya dengan gagah berani akhirnya memenangkan pertarungan tersebut. Sudah merupakan sifat suku Dayak Kenyah, untuk memepertahankan miliknya apa pun itu bentuknya."Punan" means grabbed, "letto" means girl or woman. This dance narrates about two men that love the same woman and want to grab her. A young man who maintains his woman bravely wins the contention finally. It has represented that the typical culture of Dayak Kenyah tribe is to maintain its property anything that it’s for.
10. Tari Persatuan dan Kesatuan
This dance comes from Dayak Kenyah tribe. Firstly, this dance was named "KANCET MENYAM TALI” meant Weaving String Dance. The dancers hold the colorful ribbon or string which become a symbol from variety tribes, custom, cultural and religions who live in East Kalimantan. The Ribbon, then, will be weaved to become inwrought node. This dance has inspired the Governor of East Kalimantan, H. Suwarna Abdul Fatah, to make this dance as an obligatory dance because it suits to the condition and situation of this area. That’s why it is named The Unity and Integrity Dance.
11. Belian Sentiyu
Same with Belian Bawo Dance, this dance also comes from Dayak Tonyooi and Dayak Benuaq tribes. The purpose of this dance is also to cure the ill people and to chase away the bad spirit. The difference is the costume, if in Belian Bawo Dance, the dancers wear jingle bangles that earsplitting of its hearers, then in Belian Sentiyu Dance, it uses rice to be spread by the shaman.
12. Tekenaq Bungan Malan
Bungan Malan adalah seorang Dewi bagi suku Dayak Kenyah yang sangat diagungkan. Bagi suku Dayak Kenyah, Bungan Malan adalah Tuhan yang disembah. Digambarkan bahwa Bungan Malan adalah seorang Dewi yang arif bijaksana serta sangat sakti. Oleh karena itu sangat disegani dan diagungkan oleh suku Dayak Kenyah. Dalam tarian ini seorang penari perempuan yang menarikan Bungan Malan akan diangkat oleh para ajai dengan memakai gong, sebagai perlambang Dewi tersebut sangat disanjung dan dipuja. Bungan Malan is a much idolized Goddess to Dayak Kenyah tribe. To Dayak Kenyah tribe, Bungan Malan is a curtseyed God. Describes that Bungan Malan is a wise Goddess of wisdom and she is also very miraculous. Therefore she is very respected and idolized by Dayak Kenyah tribe. In this dance a dancer which is as Bungan Malan will be lifted on the ‘gong’ by ajai, as the symbol of exalted and worshiped goddess.
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